Human Garden Series

In this series I explore human relationships as living systems through the symbolic form of the flower.

It examines how identity is shaped through connection, environment, and internal structure.


Exhibition Works

*Works created for exhibitions, institutions, and public spaces.

  • The core paintings establish the primary structural axis of the series, where I define its visual grammar and symbolic architecture.
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  • Archetypal forms of the series take volume, allowing psychological tensions to unfold in three-dimensional space.
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Studio Works

*Paintings, ceramics, editions, and other collectible works developed within the series.

  • Focused studio studies extend the core works, isolating specific movements and internal dynamics within the series.
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  • The internal framework of form is explored as an expression of identity and system.
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  • Autonomous archetypal figures emerge as independent symbolic states within the broader system of the series.
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  • The symbolic language of the series takes functional and tactile form through ceramic, allowing its structures to exist materially.
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  • Selected core works are preserved as limited silkscreen editions, maintaining the structural clarity of the original compositions.
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  • Selected studio works are presented as museum-quality giclee editions, preserving tonal depth and symbolic precision.
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Project Works

*Research, publications, installations, and educational projects developed from the series.

  • A foundational series introducing twelve recurring symbolic structures within the Human Garden methodology.
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  • An artist book mapping the meanings, relationships, and psychological functions of symbolic forms developed through Emotional Cartography.
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  • A visual investigation into how symbols interact, transform, repeat, and generate meaning beyond individual artworks.
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  • A three-part painting project exploring emotional archetypes, transformation, and the integration of multiple inner states into a shared psychological structure.
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  • A visual and educational methodology that helps children recognise, understand, and express emotions through symbolic tulip forms.
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  • A large-scale installation of mirrored tulip forms inviting visitors to encounter different stages of personal growth and self-recognition.
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  • A sculptural project translating the Human Garden universe into architectural and bodily forms, including rooted hands, botanical faces, and hybrid human-plant structures.
    In Development

Emotional Cartography: Mapping the Series

*This cartographic board documents the research, symbolic structures, archetypes, and conceptual framework behind the series.

Series Statement

*For curators, collectors, researchers, institutions, and those interested in the conceptual foundations of the series.

Human Garden is a series that explores human relationships as living systems shaped by environment, proximity, and invisible dynamics.

I approach the figure not as an individual portrait, but as part of a larger ecosystem — where each “person” behaves like a plant: growing, adapting, competing, entangling, or withdrawing depending on the conditions around them. In this context, identity is not fixed, but formed through interaction.

Using the language of naïve symbolism, I construct visual environments where figures and botanical forms merge. This hybridization allows me to translate emotional and relational states into simplified yet precise symbolic structures. Color, repetition, and spatial relationships function as indicators of connection, distance, tension, or dependency.

Rather than depicting specific narratives, the works map patterns of coexistence — how individuals influence each other, how boundaries are formed or dissolved, and how systems of belonging emerge.

Human Garden is not about nature itself, but about human behavior seen through the logic of organic growth.