My work is based on Emotional Cartography — a way of mapping what cannot be measured physically: memory, identity, belonging and inner structure.

Cartography, in my understanding, is not about borders or geography. It is about systems. Just as a map reveals the structure of a territory, my works reveal invisible structures of meaning — how forms, relationships, memory and context shape the systems we inhabit and observe.

I work in my own language of Naive Symbolism. Simplicity of form allows clarity of meaning. Black contour creates structure. Pure colour carries emotional charge. Recognisable forms are simplified, transformed and combined with symbolic elements, creating layered structures of meaning.

My practice moves across scales. Each world begins with a different field of investigation — from human experience and cultural territories to biological structures and larger systems. Each scale generates its own forms, relationships and symbolic vocabulary.

Through this method, I build an expanding system of worlds, each with its own visual logic and symbolic structure. My artworks are not illustrations of reality; they are maps of how meaning is formed through relationships between forms, systems and scales.